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Aug 31

Book Review: The Creative Digital Darkroom by Katrin Eismann and Sean Duggan – Review by Dennis Hays

Posted on Sunday, August 31, 2008 in Books
Viewed 39 times


Click graphic to purchase at Amazon.com for $29.99

In the past years, the number of books, both printed and ebook varieties, published about digital photography, is too many to count. Any photographer, from novice to professional, has a difficult time culling the available titles to find something of value.

When asked if I would review Katrin Eismann and Sean Duggan’s The Creative Digital Darkroom,” I readily accepted as I know of the authors. To me, one of the first criteria I look for in a book to join my library (don’t ask, I have hundreds), is the author. If I don’t know their past work, the material would have to be exceptional. If, as in this instance, the authors are well known to me and the material is exceptional, then it’s, as they say, a “no-brainer”.

I need to explain up front, this book appeals to me so much due to its strong link with analog photography (film and wet/dry darkroom). That Katrin and Sean draw directly from the film and darkroom processes enhances my understanding of the material. The bridge between old school and new is covered quite well in the first 39 pages and, from there, the book is solidly in the digital camp.

What’s important to understand, prior to buying this book, is most all of the techniques are relegated to those accomplished through Adobe Photoshop and Adobe Lightroom (the latest versions of these two excellent applications). While quite a large population of photographers use these two products, there are a healthy number which don’t. Those photographers using other programs shouldn’t be totally discouraged as the procedures outlined usually can be translated to many of the other digital photography applications.

The Creative Digital Darkroom stresses the recognition of the image needs and the procedures necessary to fix and enhance it. The ability to allow the image to “speak” to you is an important element in the book. If you learn to listen to the image, applying the tools, from any software application, in my opinion, is secondary.

There is a quote by Abraham Maslow, “If the only tool you have is a hammer, you tend to see every problem as a nail.” For those new to digital photography and the software applications used to develop and fix images, the tendency is to pound away at the image until sometimes its barely recognizable. And this syndrome is exactly why The Creative Digital Darkroom is needed on a bookshelf adjacent to the computer. Whether new to digital imaging or an accomplished professional, the procedures Katrin and Sean deliver tell you how to bring the image along in sometimes subtle, but necessary, ways.

The book’s table of contents describes an order to the entire imaging process:
Chapter 1: Silver to Silicon
Chapter 2: Digital Nuts and Bolts
Chapter 3: Scan, Develop, and Organize
Chapter 4: File Preparation
Chapter 5: Tone and Contrast
Chapter 6: Dodging, Burning, and Exposure Control
Chapter 7: Color Correction
Chapter 8: Creative Color
Chapter 9: Creative Enhancements
Chapter 10: Enhancing Focus

Most all of the above describe the procedures to both bring an image along in the process and also how to “add” something creative to the image. Therefore, reading The Creative Digital Darkroom cover to cover is, in my opinion, a necessity, to both discover these concepts and maybe bookmark them with little Post-It® notes so you can find your way back to some clever techniques and to have a mental tug when you are working with images and need guidance.

Some of the more interesting items I discovered are methods to manipulate exposure, contrast and tone that are different than what I had been doing and with greater dexterity. For instance, Katrin and Sean have created an extensive section on using curves (with adjustment layers) to adjust tone and contrast with precise control, by using lockdown points. This became one of those “aha!” moments for me and the pages quickly added to my extensive Post-It® collection.

That was one of but many discoveries I found in The Creative Digital Darkroom that put this book on the shelf, near my workstation, within easy reach. Most of us working with digital images tend to use but a handful of techniques—our favorites—as they are remembered through repetitious use. The art of digital image manipulation is having a quiver of procedures at our disposal. The Creative Digital Darkroom becomes that quiver and, once read, becomes the go-to source for finer control.

The only caveat I have for The Creative Digital Darkroom is its limiting software source: Adobe Photoshop CS3 and Adobe Lightroom. While versions of Photoshop pre-CS3 are explained, there are some of us out here still using version 7 and no Adobe Lightroom. I found it not to be a great problem to interpolate the steps backwards, but it will take even more effort to mentally revise the procedures to software other than the aforementioned.

If you’re a Photoshop/Lightroom user, buy this book—don’t argue, don’t procrastinate, don’t even think about it—just get it. If you don’t use these applications, The Creative Digital Darkroom is still a worthwhile investment.

My rating: A+

The Creative Digital Darkroom – Katrin Eismann and Sean Duggan
Publisher: O’Reilly Media, Inc. © 2008
ISBN-10: 0-596-10047-7
ISBN-13: 978-0-596-10047-6
US/CN $49.99 – Amazon.com/US: $29.99
[Clicking on the graphic above directs you to Amazon.com - proceeds from any sale help with the costs for this web site]

Aug 29

Photo Reviews From the Web / 29-August-2008

Posted on Friday, August 29, 2008 in Reviews
Viewed 9 times

The following reviews were reported on Photo News Today on 29-August-2008:

Radiopopper Review: a first look, with some add-ons
light-shoot-print.blogspot.com

REVIEW—CANON EOS 1000D camera
dpexpert.com.au

Nikon Coolpix S52 Review
thinkcamera.com

Panasonic LX3 Review
lawrenceripsher.com

Sony Cyber-shot T500 hands-on
engadget.com

Tony Corbell’s “Portrait Lighting on Location” — Lessons in Simplicity from a Lighting Master
jeffwignall.blogs.com

Sony Cybershot DSC T300 | Digital Camera Review
letsgodigital.org

I filmed with a D90!
blog.nikonians.org

Black Rapid R-strap
blog.nikonians.org

Book Review: On Reading
pdnonline.com

Canon CanoScan 8800F
pcmag.com

Nikon D90 vs. Canon EOS 50D vs….
reviews.photoreview.com

Review: Wacom Bamboo Fun graphics tablet
photodoto.com

Aug 28

Photo Reviews From the Web / 28-August-2008

Posted on Thursday, August 28, 2008 in Reviews
Viewed 11 times

The following reviews were reported on Photo News Today on 28-August-2008:

Nikon D90 Field Test w/ Chase Jarvis
blog.chasejarvis.com

DPReview’s Preview of the Nikon D90
dpreview.com

Canon PowerShot SD1100 IS
pcworld.com

Ricoh R8 Digital Camera Review
cameras.co.uk

Panasonic Lumix DMC-FZ28
trustedreviews.com

Panasonic Lumix DMC FX35 | Digital Camera Review
letsgodigital.org

Panasonic Lumix DMC-TZ5
trustedreviews.com

DCRP Review: Kodak EasyShare Z1085 IS
dcresource.com

REVIEW: OneLight Workshop DVD
davecross.blogspot.com

Aug 25

Photo Reviews From the Web / 25-August-2008

Posted on Monday, August 25, 2008 in Reviews
Viewed 15 times

The following reviews were reported on Photo News Today on 25-August-2008:

Samsung NV24HD Review
cameras.co.uk

Diana+ Camera Review
blog.epicedits.com

Panasonic Lumix DMC FX35 | Digital Camera Review
letsgodigital.org

Canon EOS 1000D
pcauthority.com.au

Aug 22

Photo Reviews From the Web / 22-August-2008

Posted on Friday, August 22, 2008 in Reviews
Viewed 11 times

The following reviews were reported on Photo News Today on 22-August-2008:

Canon EOS 450D Digital Rebel XSi – Digital SLR Review
www.wigicamreview.com

Nikon D700 Arrives: First Shots
digitalcamerainfo.com

Panasonic Lumix DMC-FZ28
www.trustedreviews.com

Shiny Review: Nikon D60 DSLR
www.shinyshiny.tv

Aug 21

Photo Reviews From the Web / 21-August-2008

Posted on Thursday, August 21, 2008 in Reviews
Viewed 6 times

The following reviews were reported on Photo News Today on 21-August-2008:

Sony Cyber-shot DSC-W300 Review
PhotographyBlog.com

Nikon D700
KenRockwell.com

Samsung NV40 Digital Camera Review
DigitalCameraInfo.com

Lightning Review: Brother’s $200 4-in-1 Printer (Verdict: Great and Cheap)
gizmodo.com

Review: Nikon D3 is Light Years Ahead of Other Prosumer Grade Shooters
blog.wired.com

Aug 20

Photo Reviews From the Web / 20-August-2008

Posted on Wednesday, August 20, 2008 in Reviews
Viewed 3 times

The following reviews were reported on Photo News Today on 20-August-2008:

Review: Samsung NV24HD digital camera
www.pcw.co.uk

Just Published! Pentax 35mm ƒ/2.8 DA Macro Limited Review
theonlinephotographer.typepad.com

Canon EF 800mm f/5.6 L IS USM Lens Review
www.the-digital-picture.com

Kodak V1073 and V1273
www.trustedreviews.com

Review: Capture NX 2
www.creativepro.com

Olympus E-520 review
www.dpreview.com

Pixlr is a great free online photo editing program
www.gadgetell.com

Canon’s EOS Rebel XS / 1000D DSLR hits the test bench
www.engadget.com

Aug 19

Photo Reviews From the Web / 19-August-2008

Posted on Tuesday, August 19, 2008 in Reviews
Viewed 13 times, 1 so far today

The following reviews were reported on Photo News Today on 19-August-2008:

Death Match: Panasonic FX500 VS Ricoh R8 review
http://tinyurl.com/6xhqzj
 
Review: Pentax W60 Waterproof Camera Catching Whale Sharks
http://tinyurl.com/6ltd4d
 
 
Review: Epson P-6000 & P7000 Photo Viewers
http://www.scottkelby.com/blog/2008/archives/1822
 
Aug 18

Photo Reviews From the Web / 18-August-2008

Posted on Monday, August 18, 2008 in Reviews
Viewed 10 times

These were reported on Photo News Today

Canon EOS-1Ds Mark III Review
http://www.dpreview.com/news/0808/08081801canoneos1dsmk3review.asp

Review: Samsung NV24HD digital camera
http://www.pcw.co.uk/personal-computer-world/hardware/2224197/samsung-nv24hd-4128827

Review: Kodak ESP 3 multifunction device
http://www.computeractive.co.uk/computeractive/hardware/2224148/review-kodak-esp-multifunction

Review: Sony Cyber-shot DSC-W300
http://www.imaging-resource.com/PRODS/W300/W300A.HTM

Review: D-Link Wireless Internet Photo Frame
http://www.smallbusinesscomputing.com/webmaster/article.php/3765871

Sigma 50mm F1.4 EX DG HSM lens review
http://www.dpreview.com/news/0808/08081802sigma50review.asp

 

Aug 12

Silkypix Developer Studio 3.0 – Review – Windows and Macintosh

Posted on Tuesday, August 12, 2008 in Software
Viewed 43 times

Original Review on Photo News Today on April 12, 2008

Silkypix Developer Studio 3.0
Windows & Macintosh
Silkypix Developer Studio Web Site – http://www.silkypix.com
Supported Cameras
License: $149.00
Shortcut Software (Home of Silkypix)


Silkypix Main Window

I have been a proponent of using RAW as a format for digital photography for quite a while now. I believe, like many others, that using RAW allows me to have the greatest opportunity to “develop” my images exactly the way I want and with the greatest amount of control.

First, before I get to the review of Silkypix, let me explain what RAW images are and why it offers the most control for a photographer. When you take an image with a digital camera, the sensor records the image, and sends the output (data bits) to an internal processor, which develops the image according to some of the camera’s settings, and then saves the image to a memory card. Once the images has gone through the processor and saved, there are only a limited amount of adjustments available using image editing programs. A RAW image comes from the sensor and bypasses the processor and is saved in a (usually proprietary) RAW format. What was once done by the processor is now available by software. Instead of getting an image, JPG or TIFF, that’s been processed by preprogrammed instructions, you make the decisions as to how the image is processed.

This is where Silkypix comes in (Silkypix is sold by Shortcut Software). Once you have saved your images on a computer and load them into Silkypix, the workflow begins. You can use Silkypix’s presets, roll your own, or some of both and you can process one image at a time or a complete batch.

I downloaded a copy and installed it on my Windows XP computer (Silkypix works with most all cameras, including the latest Nikon, Canon, Olympus, Sony, Pentax, etc. cameras). During the installation process, I noticed the EULA (End User License Agreement) states you can only install a copy of Silkypix on one computer. I take some exception to this as I would imagine others would, as abiding by the letter of the EULA, you can not install a copy on both your desktop and laptop. I sometimes travel with a laptop and process my images after I get back to the hotel. I don’t really like having to pay for two copies, when I’m only using one at a time.

Prior to using Silkypix, I took my Canon XTi out and took some images around the house, both in sun and shade. As I usually, do, I downloaded the files from the compact flash card and put them in a folder on my hard drive, using a memory card reader.

After starting Silkypix, I told it where to find my images and, using the downloaded PDF from Silkypix, worked my way through “developing” one image. Silkypix brings up a grid of thumbnails from the image/file folder. By double-clicking on a an image it enlarges to full screen (the size is adjustable), which is receommended to see the image details.

By default, the controls are on the left but can be changed, which is good, as I prefer the right side. At the top, the first control allows you to set the exposure bias. While you can adjust the exposure slightly, both above and below the centerline (the exposure of the image as stored), you cannot compensate for grossly over/under exposed images. You can, however, easily correct approcimately two stops in either direction. Silkypix requests you accompliush this prior to making any other changes and I concur. It’s far easier to see the changes in a larger image than in the thumbnail.

Following adjusting the exposure bias, there are five or six other presets to either accept or change: White Balance, Contrast, Color, Sharpness and Noise Reduction. In each of those, you can accept a default, use a pull-down to choose some other preset or use the sliders to customize the setting. Immediately adjacent to each preset is a small button, when pressed, opens a “Taste” panel. If you’ve made some custom adjustments, this taste panel allows you to save your settings as a new preset.

Once I went through the tutorial in the help file, all of this was easy to remember for the next image; I was doing each image separately to get accustomed to the settings. If you have two similar images, you can use the standard “Copy” “Paste” to copy the settings used in one image to another. Quite handy. Also, and this is where Silkypix shines, you can use the existing settings or a stored/saved setting to batch develop an entire set of images.

That’s the basics of performing RAW development. There are a few other powerful adjustments you can make including a histogram; open a white balance adjustment circle (where you can make fine changes to the white balance (there is also a white point and gray point eye dropper, if you were smart enough to include a gray card or white reference in your image batch); a tone curve tool; a highlight controller (chroma, saturation, luminance restoration and a dynamic range adjustment tool; a fine color controller; a lens aberration controller; and a rotation and digital shift tool (good for making perspective adjustments).

This is a software product I can use daily. It’s quite easy to understand the tool-set, but learning to not over-control and also learning to see your image and what it needs comes over time and use. Silkypix is easy to learn and has more power than most of us would use, but it’s there if needed. One important elemetn I need to mention is Silkypix is non-destructive. It leaves the original RAW image as it was.

Silkypix is “try before you buy” software, so you can download either a Windows® or Macintosh® version and play with it before licensing a copy. As I said in the opening of this review, my only sticking point is the “one computer per license” policy.

If you have a camera that supports RAW images, it’s to your benefit to learn how to use a RAW image tool, such as Silkypix, to take control of your processing and not rely upon the camera manufacturer’s pre-progrmmed firmware.